Portable Backs MC Oluomo in Ongoing Social Media Clash With Davido

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Controversial street-hop singer Portable has weighed in on the growing social media feud between Davido and MC Oluomo, publicly throwing his support behind the transport union leader.

The exchange began after Davido appeared to mock MC Oluomo in an Instagram post following the controversy surrounding the suspension of the National Union of Road Transport Workers (NURTW) in Osun State.

Portable later reacted with a strongly worded post, praising MC Oluomo and suggesting that the union leader remains an influential figure despite the criticism directed at him.

His comments quickly sparked reactions across social media, with many users noting his long-standing association with MC Oluomo and debating his decision to enter the dispute.

The singer’s intervention has added another layer to the online drama, which has attracted widespread attention from fans of both entertainers.

The controversy is unfolding against the backdrop of political developments in Osun State, where discussions surrounding the NURTW have continued to dominate public discourse.

As of the time of filing this report, neither Davido nor MC Oluomo had publicly responded to Portable’s latest remarks.

K1 De Ultimate’s Saxophonist Apologises Over Viral ‘Unnecessary Pregnancy’ Performance

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The saxophonist of Fuji music legend K1 De Ultimate, Olawale Adekoya, has apologised over the controversial stage performance that sparked outrage on social media, insisting the singer was not responsible for the viral chant.

Adekoya made the apology in a video shared on his TikTok page, where he accepted full responsibility for interpreting the band’s alujo drum rhythm during the performance.

The controversy erupted after a video showed K1 performing a song referencing “unnecessary pregnancy,” days after a woman publicly alleged that the Fuji star abandoned her and their 12-year-old daughter. Although the timing fueled speculation, K1 never confirmed that the performance was directed at the allegations.

Addressing the issue, Adekoya explained that the drum rhythm had been part of the band’s performances for years and only later became associated with humorous interpretations among band members.

“I will start by taking full responsibility for what happened on stage because I was the one who interpreted the alujo when the percussionists were playing the beat. Everything went wrong because it happened at a very sensitive time, and I accept full responsibility,” he said.

According to him, the rhythm was originally created by percussionist Ayokunle Ayolowo after rejoining the band and had become one of K1’s favourite performance beats.

He added that the phrase now attracting criticism was one of several playful interpretations created by the band long before the recent controversy.

Adekoya stressed that K1 neither suggested nor approved the interpretation.

“Alhaji knew nothing about it. He wasn’t involved in the interpretation and never told us what to say. He was even surprised that we eventually attached a meaning to the rhythm,” he explained.

He also denied claims that the performance was intended to mock the woman or her daughter, describing it as an innocent backstage joke that was misunderstood because of the timing.

Apologising on behalf of the band’s members, Adekoya acknowledged that the performance came at the wrong moment.

“We are very sorry. To everyone who was hurt or disappointed, please accept our sincere apology.”

He added that his apology was voluntary and not made under pressure, saying the band accepts responsibility for the unfortunate timing of the performance.

Good Music, Consistency Are the Real Currency in Entertainment – Aayo

Good Music, Consistency Are the Real Currency in Entertainment – Aayo

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Rising Afrobeats singer Akinde Ayodeji, popularly known as Aayo, has advised aspiring musicians to focus on creating quality music and remain consistent, saying talent alone is not enough to build a successful career in the entertainment industry.

Speaking during a recent media interview, the singer said the music industry has become increasingly competitive, making it important for artistes to stand out through originality, discipline and dedication to their craft.

According to Aayo, good music remains the foundation of every lasting career, regardless of trends or social media popularity.

“The industry may be driven by trends, promotion and social media, but in the end, good music is what survives. A great song has the power to connect with people across cultures and generations. If your music is genuine and meaningful, it will always find its audience,” he said.

The singer noted that while social media can help an artiste gain attention quickly, sustaining success requires consistency and continuous improvement.

He encouraged young musicians not to be discouraged by slow progress, stressing that many successful artistes overcame rejection and setbacks before achieving recognition.

“Success doesn’t happen overnight. Every successful artiste has a story of rejection, disappointment and difficult moments. The difference is that they kept going,” Aayo added.

He also urged emerging talents to improve their songwriting, vocal delivery and stage performance while remaining open to constructive criticism.

Beyond talent, Aayo highlighted the importance of professionalism, advising artistes to invest in quality production, branding and strategic promotion instead of relying solely on luck.

He further encouraged musicians to use their influence positively by creating songs that inspire, educate and give hope to listeners.

Concluding his message, Aayo urged upcoming entertainers to pursue excellence rather than fame, reminding them that patience, consistency and self-improvement are key to building a lasting career in the music industry.

Bella Shmurda Alleges $4 Million Lagos Property Scam, Seeks Help

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Nigerian singer Abiola Akinbiyi, popularly known as Bella Shmurda, has claimed he was defrauded after allegedly paying $4 million for a property in Lagos that he later discovered was not legally owned by the person who sold it to him.

The music star made the allegation during an emotional Instagram Live session on Tuesday, where he appealed to the public for support while expressing fears that he could lose the substantial investment.

Speaking during the livestream, Bella Shmurda said he was devastated after learning that the property he purchased was allegedly stolen and that the transaction may have been fraudulent.

“Nigeria, I need your help. I’m not doing okay right now. I spent $4 million of my own hard-earned money, only to find out I bought stolen property,” the singer said.

He further alleged that the individual who sold him the property disappeared after receiving the payment, leaving him unable to recover either the property or his money.

Read Also: Police Arrest Abuja Man Accused of Slapping Woman for Rejecting His Advances

“And now the seller has disappeared. Please, help me. Someone step in. I’ve got nothing left,” he said during the livestream.

The visibly emotional singer said he had worked for years to earn the money and described the situation as heartbreaking.

“I worked for years for this. I can’t lose $4 million like that,” he added.

Bella Shmurda disclosed that he has already contacted his legal team to investigate the transaction and determine the next course of action.

“I just contacted my lawyer for further investigation,” he said.

Despite making the allegations public, the singer did not reveal the identity of the person who allegedly sold him the property. He also withheld details about the property’s exact location and its ownership history.

The claims have sparked widespread reactions on social media, with fans expressing sympathy and urging authorities to thoroughly investigate the alleged fraud. As of the time of filing this report, no official statement had been issued by law enforcement authorities regarding the matter, and the allegations remain under investigation.

‘I Don’t Care What Fraternity You Belong To, I Must Take Revenge’ – Brymo Fires At Burna Boy

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Nigerian singer, Brymo, has declared that Burna Boy must pay for offending him.

Brymo said this in response to his beef with Burna Boy’s Diss track ‘hustle make you no go fall off like Brymo’.

Recall that the duo feud started in 2023 when Brymo alleged that Burna Boy borrowed ideas from his work.

Burna Boy replied him with a freestyle that has gone viral.

Lyrics such as “hustle make you no go fall off like Brymo”

But in a recent interview on the Notjustok podcast, Brymo accused Burna Boy of offending him.

The singer said it doesn’t matter the fraternity Burna belong, but he insisted Burna has bitten more than he can chew and he must be dealt with while threatening revenge.

“No you never see your name in my song for life. Who is your mate, you are too little.” It doesn’t matter to me what fraternity you’re in. “He hath done me wrong and I must have revenge.”

Lagos Earns Guinness World Record For Afrobeats Orchestra Performance

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Guinness World Records has now confirmed a concert organised by Dapper Live & Artists in Lagos as the largest orchestra ever assembled for an Afrobeats performance.

The record was made known on X with a clip from the show featuring Fuji legends King Saheed Osupa and KS1 Malaika and some Afrobeats acts.

The post read, “Largest orchestra for an Afrobeats concert – 85 musicians by Dapper Live & Artists @DapperMusicEnt_ The attempt was made in Lagos, Nigeria in December 2025 at the Balmoral Convention Centre as a live orchestral performance of an Afrobeats composition.

The concert was led by a conductor and included a lead singer, an accompanying choir, dancers and 85 musicians playing in unison. The event showed how Afrobeats and orchestral music can blend together seamlessly.”

The concert, ‘Trench Symphony: The Dapper Live Experience’ was held on December 16, 2025.

Other performers are T.I Blaze, Rybeena, Bhadboi OML, Kashcoming, TML Vibez, Lasmid, Heis Cazulee, Dwillsharmony

Boy EJ Wahala TeamHouseTV.Com

Beyond WAHALA: The Inspiring Story Behind BOY EJ’s Musical Journey

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In a music industry where new songs are released every day, it can be easy for listeners to focus only on the latest track and miss the story behind it. Sometimes, however, a song does more than entertain. It introduces us to an artist, their journey, and the vision driving their craft.

For BOY EJ, that song is WAHALA.

BOY EJ new song gives listeners a fresh look into his artistic world while highlighting a musician whose journey is rooted in culture, creativity, and a desire to connect through music.

From Edo State to a Growing Audience

BOY EJ’s story begins in Edo State, where his appreciation for African culture, rhythm, and storytelling first took shape.

Like many young artists, he started with a dream. He wanted to use music as a way to express himself, share experiences, and connect with people from different walks of life. Over the years, that dream has continued to grow as he steadily builds an audience through music that reflects both his heritage and his ambitions.

His journey is one that many aspiring African creatives can relate to. It is the story of believing in your voice, staying true to your roots, and working toward a place on a much bigger stage.

Beyond the Microphone

What makes BOY EJ stand out is his approach to entertainment.

He is not only focused on recording songs. He is focused on creating an experience. Through melody, movement, energy, and storytelling, he brings a level of performance that goes beyond simply making music.

Whether he is in the studio or performing for an audience, BOY EJ approaches his craft with the understanding that great music should be heard and felt.

That commitment to performance continues to shape the way he presents himself as an artist.

Inspired by Afrobeat’s Legacy

Every artist draws inspiration from somewhere, and for BOY EJ, that inspiration comes from some of Africa’s most influential musical figures.

Artists such as Fela Anikulapo Kuti and Burna Boy have helped redefine how African music is viewed around the world. Their impact can be seen in the way they combined creativity, culture, and authenticity to build lasting careers.

BOY EJ embraces those influences while working to develop a sound that reflects his own experiences and artistic vision. Rather than follow an already established path, he is focused on creating his own.

Music Rooted in Real Life

At the heart of BOY EJ’s music is a commitment to telling stories that people can relate to.

His songs explore themes such as love, passion, ambition, personal growth, and the realities of everyday life. Through engaging melodies and rhythm-driven productions, he creates music that connects emotionally while still carrying the energy listeners expect from contemporary African sounds.

It is this balance between meaning and entertainment that continues to define his creative direction.

Enter ‘WAHALA’

With the release of WAHALLA, BOY EJ takes another step forward in his musical journey.

The track captures many of the qualities that have become central to his identity as an artist. It is energetic, relatable, expressive, and deeply connected to the African influences that shape his sound.

More importantly, WAHALLA offers listeners a chance to better understand the world BOY EJ is building through his music. For those discovering him for the first time, it serves as a strong introduction to an artist steadily carving out his own space.

The Culture Vibes Chapter

While WAHALA stands as BOY EJ’s latest single, the foundations of his artistic identity can be traced back to Culture Vibes, his debut five-track EP.

The project introduced listeners to an artist defined by versatility, creativity, and a strong commitment to showcasing African culture through contemporary sound, fashion, and artistic expression. Across its tracks, Culture Vibes offered an early glimpse into BOY EJ’s vision, highlighting his growth as both a musician and performer.

Why BOY EJ Deserves Attention

Every successful artist starts somewhere.

While the music industry is filled with talent, the artists who often stand out are those who remain consistent, authentic, and committed to growth. BOY EJ continues to demonstrate those qualities through his music and his dedication to his craft.

With WAHALA, he adds another chapter to a journey that is still unfolding. The song reflects an artist who understands the importance of culture, storytelling, and performance, while remaining focused on building something meaningful.

As his audience continues to grow, one thing is clear: WAHALA may be the latest release, but BOY EJ is the story worth paying attention to.

Stream WAHALA and stay connected with TeamHouseTV – Discover the culture | Meet the Creators | Stay ahead of the conversation

From Devotion to Airwaves: Seun Adeyemo’s “YAHWEH” Becomes Song of the Week

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Seun Adeyemo’s worship anthem YAHWEH earns Song of the Week recognition on TeamHouseTV after a featured spotlight on People’s FM Abuja with Teemillar.

Seun Adeyemo’s spiritually charged worship single “YAHWEH” has been selected as TeamHouseTV’s Song of the Week, following its special feature on People’s FM Abuja, where it was highlighted during a segment hosted by Teemillar.

The recognition marks another meaningful milestone for the worship record, which has continued to resonate with gospel music lovers through its message of reverence, surrender, and intimacy with God. Since its initial release and official visual rollout, YAHWEH has steadily built momentum as one of the worship songs connecting deeply with faith-driven audiences across Nigeria and beyond.

The People’s FM Abuja feature adds strong broadcast credibility to the song’s growing reach. Being spotlighted on a respected radio platform, especially within a curated music segment, reinforces the record’s spiritual and cultural relevance in today’s gospel music conversation.

People’s Top 10, hosted by Teemillar, the segment reportedly emphasized the song’s atmosphere of worship and its ability to draw listeners into a place of reflection and divine focus. That kind of radio acknowledgment often plays a major role in extending the life and impact of inspirational records.

What makes YAHWEH stand out is its sincere devotion to worship without sacrificing sonic quality. Seun Adeyemo leans into heartfelt expression, allowing the song to function not just as music, but as a ministry tool that meets listeners in personal moments of prayer, gratitude, and spiritual renewal. It is the kind of record that moves beyond streams and enters real-life spaces, from church gatherings to personal devotion playlists and now mainstream radio recognition.

As more listeners discover the track through the People’s FM Abuja spotlight, YAHWEH appears poised to remain a significant worship anthem in the current gospel music cycle.

DJC Unveils New Love-Themed Single “Matrimony,” A Soulful Soundtrack for Commitment and Forever

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Nigerian artist DJC, real name Ahmed Badejo, releases his new 2026 single Matrimony, a heartfelt song exploring love, commitment, and lifelong union. Read the full TeamHouseTV story.

Nigerian music talent DJC, has officially released a brand-new single titled “Matrimony,” a song already drawing attention for its emotionally rich title and striking visual rollout. The release marks another important moment in the artiste’s evolving musical journey, adding a fresh layer to a growing catalog that has steadily resonated with listeners across different moods and life experiences.

The newly released single arrived on March 25, 2026, according to DJC’s latest streaming profile updates, positioning Matrimony as his newest official body of work.

With a title like Matrimony, the song instantly suggests themes of love, union, loyalty, and the emotional weight of lifelong promises. While fans are yet to fully unpack the lyrical depth, the release artwork already sets the tone for something deeply intentional. The bold blue-themed cover art, paired with DJC’s confident presence, gives the song a polished and emotionally expressive identity that feels both modern and timeless.

For longtime followers of DJC’s music, this release reflects the artist’s consistency in building records around real emotions, relatable life themes, and memorable sonic storytelling. From earlier projects such as Crown Deluxe, Crown (The Monarch), and his 2025 project king (like father like son), Ahmed Badejo has continued to shape a sound that blends introspection with artistic confidence.

In an era where songs about fleeting relationships often dominate, DJC appears to be steering the conversation toward intentional love and deeper commitment, a subject that naturally connects with listeners navigating romance, engagement, marriage, or personal reflection.

This latest release could also find strong appeal in the wedding and lifestyle content space, where emotionally resonant songs often become staples for proposals, ceremonies, and love-centered social storytelling.

With Matrimony, DJC is not just dropping another song. He is offering a record that feels perfectly positioned to soundtrack meaningful moments in people’s lives. In one of his interviews, DJC mentioned, “I want to continue strengthening my voice as an artist, unafraid to explore themes that touch the heart.”

Fans can now stream Matrimony across major digital platforms.

Seun Adeyemo Unveils New Video for “YAHWEH”

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Nigerian worship artist Seun Adeyemo has released the official video for “YAHWEH,” bringing a fresh visual expression to the contemporary gospel song that continues to resonate with worship audiences.

Available on digital streaming platforms including Spotify, Apple Music, and YouTube, “YAHWEH” stands as a heartfelt worship record that blends soulful vocals with modern instrumentation to honor the name and presence of God. The release further reflects Adeyemo’s devotional artistry, combining faith-driven lyricism with polished production that connects with Christian listeners both in Nigeria and across the diaspora.

Rooted in the gospel and contemporary Christian genre, the song is delivered in English while drawing from African worship influences that strengthen its spiritual depth and cultural identity. At its core, the message remains one of worship and exaltation, centered on the divine name “Yahweh.”

The arrangement of the song is built on melodic piano layers, ambient guitar textures, and rich choral harmonies, creating a worship atmosphere that feels both meditative and celebratory. This sonic direction supports Seun Adeyemo’s mission to craft worship experiences that encourage intimacy with God and invite listeners into reflective praise.

Lyrically, “YAHWEH” focuses on adoration, emphasizing God’s holiness, sovereignty, and enduring faithfulness. For a gospel audience, the name Yahweh carries deep biblical significance, often associated with God’s self-revelation and covenant relationship with His people. This scriptural weight gives the song both personal and congregational relevance, positioning it as a worship anthem suitable for church gatherings and live ministry settings.

The release has continued to gain attention among gospel listeners in Nigeria and within the global Christian diaspora, with many drawn to its sincerity and strong vocal performance. Its growing reception also reflects the increasing visibility of African worship voices within contemporary global Christian music.

With the release of this new video, Seun Adeyemo further strengthens his place among emerging gospel ministers shaping the sound of modern worship through authentic expressions of faith.

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