JC T Why Music Camp 2.0 Set for March 26–28, Hosted by SOH Ent. Ltd for Artists, Producers and Music Executives

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JC T Why Music Camp 2.0 will hold from March 26–28, hosted by SOH Ent. Ltd, bringing together artists, producers, A&Rs, music executives, media professionals and writers for workshops, live recording sessions, talent showcases and industry networking.

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JC T Why Music Camp 2.0 has been scheduled to take place from March 26th to March 28th. The three-day event is hosted by SOH Ent. Ltd and is themed “Legend in the Making.”

The music camp is designed to bring together key players across the creative and business sides of the music industry. Activities outlined for the event include workshops, live recording sessions, a talent showcase and industry networking opportunities.

According to the organizers, the camp will cater to a wide range of industry professionals and emerging talents. The target audience includes artists, producers, A&Rs, music executives, media professionals and writers.

The program is structured to create an interactive environment where participants can engage in practical sessions, connect with industry stakeholders and showcase their talent.

For sponsorship and partnership inquiries, interested parties can contact the organizers via info@jctwhy.com or info@sohentlimited.com. Phone lines listed for inquiries include 08066215796 and 08052940050.

Media partners associated with the event include Trace Naija, Silverbird TV, TeamHouseTV, Rythm 93.7 FM and Palazzo Records.

JC T Why Music Camp 2.0 will run for three consecutive days, from March 26th through March 28th, under the coordination of SOH Ent. Ltd.

ROG Music Africa Announces “Fashion Pop Up” in Victoria Island Featuring Skales, RENÁI Showcase and Call for Emerging Artists

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ROG Music Africa unveils its Fashion Pop Up event scheduled for February 28 – March 1, 2026, in Victoria Island, Lagos, featuring Skales as special guest, RENÁI showcase, artist call, and multiple spotlight performance packages.

ROG Music Africa has officially announced its upcoming Fashion Pop Up event, a two-day showcase scheduled to hold from February 28 to March 1, 2026, in Victoria Island, Lagos.

The event will take place at 1713 Chartered Bank Close, Victoria Island, running daily from 12pm to 12am, and will feature a combination of art, brunch, music performances, and fashion exhibitions.

Skales Confirmed as Special Guest

Nigerian music star Skales has been confirmed as a special guest for the Fashion Pop Up. Promotional materials highlight his appearance as part of the entertainment lineup for the two-day event.

The event branding also lists “Art | Brunch | Music” as part of the core experience for attendees.

Call for Artists

ROG Music Africa has issued a public call for performers interested in showcasing their talent during the event.

According to the announcement, artists with:

  • Bars
  • Vocals
  • Spoken Word

are invited to hop on a free verse during the DJ lineup and perform live. Interested participants are instructed to DM “FREE VERSE” to secure a slot. The organizers state that limited spots are available.

Performance Spotlight Packages

The event will feature multiple spotlight performance categories available to artists:

Superstar Spotlight – 1M

  • Radio and TV plug on Soundcity & Silverbird
  • 3 bottles of Champagne/Wine
  • 3 bottles of Tequila/Whiskey
  • Food platter (for 8 people)
  • Song premiere at the event

Headline Spotlight – 500K

  • TV plug on Soundcity and Silverbird
  • 2 bottles of Champagne/Wine
  • 2 bottles of Tequila/Whiskey
  • Food platter (for 8 people)
  • Song premiere at the event

Next Rated Spotlight – 300K

  • 2 bottles of Champagne/Wine
  • 2 bottles of Tequila/Whiskey
  • Food platter (for 8 people)
  • Song premiere at the event

Opening Spotlight – 100K

  • Food platter (for 4 people)
  • Song premiere at the event

RENÁI Showcase

A dedicated showcase segment will feature RENÁI, as indicated in the event promotional materials. The showcase forms part of the broader Fashion Pop Up programming across the two days.

Event Partners

Sponsors and media partners displayed on the event materials include:

  • Guaranty Trust Bank (GTBank)
  • Spice TV
  • Silverbird TV
  • TeamHouseTV
  • City People Magazine

Contact Information

For additional information, interested parties can contact:

The Fashion Pop Up is presented by ROG Music Africa and will run across both days at the Victoria Island venue as scheduled.

Saga Reveals Big Brother Naija Was a Strategic Move to Begin His Entertainment Journey

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Former Big Brother Naija Season 6 contestant Adeoluwa Okusaga, widely recognized as Saga, has disclosed that his decision to participate in the reality television show was driven by a desire to establish himself in the entertainment industry.

Speaking in a recent interview with Channels TV, Saga explained that although he is professionally trained as an engineer, he intentionally used the BBNaija platform as a springboard for a career in entertainment. According to him, encouragement from colleagues played a significant role in his decision to audition.

“I went to Big Brother Naija to launch my career as an entertainer. I am an engineer,” he said.

He further noted that people he worked with urged him to take the opportunity after recognizing his abilities.

“My colleagues at work begged me to go for Big Brother Nigeria, they said I will do well,” Saga added.

The reality star, who has since transitioned into acting, also addressed the connection between engineering and creativity. He pointed out that the technical profession requires imagination and analytical skills, qualities he believes are transferable to entertainment.

“As an engineer, you have to have a powerful imagination, understanding, and skill. A lot of artists like Davinci ended up as engineers because it’s a parallel,” he stated.

Saga was a contestant on Season 6 of Big Brother Naija in 2021 and was evicted during the ninth week of the competition.

Since leaving the show, he has pursued acting and has appeared in more than a dozen films, marking a steady progression in his entertainment career.

Breaking Barriers: The Complete List of Songs That Secured Burna Boy and Tems’ Billboard Hot 100 Record

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Nigerian global superstars Tems and Burna Boy have officially etched their names deeper into music history, co-holding the record for the most entries on the Billboard Hot 100 by African artists.

According to Billboard chart reports and multiple international music industry updates, both artists have reached the historic milestone through a mix of global collaborations and standout solo releases that resonated across the U.S. market.

Teamhouse TV breaks down the songs that powered this achievement.

Burna Boy’s Billboard Hot 100 Entries

Burna Boy’s Billboard journey has been built on both solo dominance and strategic global features.

  1. “Ye” – Burna Boy
    • Cult favorite that later charted in the U.S.
  2. “On the Low” – Burna Boy
    • A steady streaming success.
  3. “Last Last” – Burna Boy
    • His biggest U.S. solo hit.
    • Peaked inside the Top 50.
    • Became a global anthem.
  4. “Location” – Dave ft. Burna Boy
    • Introduced him further to the UK-US crossover market.
  5. “Be Honest” – Jorja Smith ft. Burna Boy
    • Strengthened his presence in international R&B spaces.
  6. “Talibans II” – Byron Messia ft. Burna Boy
    • Helped expand his Caribbean crossover influence.
  7. “Sittin’ On Top of the World” – Burna Boy ft. 21 Savage
    • Another major U.S. chart appearance.

These entries reflect Burna Boy’s global expansion strategy — blending Afrofusion with rap, dancehall, and pop influences.

Tems’ Billboard Hot 100 Entries

Tems’ rise has been powered largely by high-profile collaborations and culturally dominant records. Here are the key songs that charted:

  1. “Essence” – Wizkid ft. Tems
    • The breakthrough Afrobeats global hit.
    • Peaked at No. 9 after the remix featuring Justin Bieber.
  2. “Wait For U” – Future ft. Tems & Drake
    • Debuted at No. 1 on the Hot 100.
    • Sampled Tems’ “Higher.”
    • Won a Grammy Award.
  3. “Free Mind” – Tems
    • Her first solo entry.
    • Became a sleeper hit in the U.S., peaking inside the Top 50.
  4. “Higher” – Tems
    • Entered the chart following the success of “Wait For U.”
  5. “Found” – Tems ft. Brent Faiyaz
    • Gained momentum through streaming.
  6. “Me & U” – Tems
    • Marked her return to solo chart presence in 2023.
  7. “Love Me JeJe” – Tems
    • Continued her steady Billboard run.

Tems’ entries highlight her ability to cross genres — from Afrobeats to R&B to mainstream hip-hop — while maintaining her distinctive sound.

The Billboard Hot 100 is the premier singles chart in the United States, combining sales, streaming, and radio airplay. For African artists, consistent entries signal more than just popularity — they represent:

  • Cultural export at a global scale
  • Streaming dominance
  • Strategic collaborations
  • Growing U.S. radio acceptance of Afrobeats

Both Tems and Burna Boy have not only broken barriers but also reshaped the perception of African music in mainstream global markets.

This milestone is part of a larger Afrobeats wave that continues to gain commercial strength worldwide. From Grammy wins to stadium tours, both artists are proving that African music is no longer “emerging” — it is established.

As chart numbers continue to evolve weekly, the record may shift again soon. But for now, Tems and Burna Boy stand at the top together — a historic tie that reflects the power of Nigerian artistry on the world stage.

Nollywood Actress Cautions Against Marrying Into Families That Reject Their Children’s Partners

Nollywood Actress Cautions Against Marrying Into Families That Reject Their Children’s Partners

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Veteran Nollywood actress Omotola Jalade-Ekeinde has urged couples facing family opposition to seek understanding before ending their relationships, while also cautioning against committing to a lifetime of hostility.

In a recent interview, she encouraged partners to make genuine efforts to bridge gaps with disapproving relatives rather than walking away at the first sign of resistance. Omotola explained that some opposition may stem from long-held prejudices, including biases related to ethnicity, background, or personal beliefs, and that patience, empathy, and sincere engagement can sometimes ease tensions.

At the same time, she warned that not all family resistance can be resolved. Some relatives may appear to soften only to revert to hostility later, creating ongoing strain in a marriage. “Marriage in itself is already an institution where you’re going to face a lot. It’s a lifetime journey,” she said, noting that entering a marriage without family support could make the journey unnecessarily difficult.

Omotola emphasized that couples should consider the long-term implications of marrying into a family that opposes their relationship. While love is important, a lack of family backing can lead to constant conflict and emotional stress, making a healthy, lasting partnership much harder to maintain. Her advice highlights the importance of balancing emotional connection with a supportive environment, encouraging couples to invest in understanding but also to recognize when opposition may be impossible to overcome.

960 Music Group vs. Aristokrat Records: Court Adjourns Case to April 20 After Defendant Fails to Appear

960 Music Group vs. Aristokrat Records: Court Adjourns Case to April 20 After Defendant Fails to Appear

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Efforts to resolve the ongoing legal dispute between 960 Music Group and Aristokrat Records over the ownership of Burna Boy’s early music catalogue suffered another setback yesterday at the Federal High Court in Ikoyi, Lagos.

The criminal proceedings, which allege fraudulent conversion and breach of fiduciary duty against Aristokrat Records founder Piriye Isokrari, were adjourned to April 20, 2025, after the defendant failed to appear in court.

His absence once again stalled the high-profile case, which has drawn significant attention within Nigeria’s music industry. 960 Music Group, an investor in Aristokrat Records, initiated the action following claims that the sale of Burna Boy’s back catalogue to his current label, Spaceship Music, was carried out without its knowledge or approval.

Sources familiar with the matter say frustration is mounting over the repeated delays that have marked the proceedings. The charges, filed by the Force Criminal Investigation Department (FCID), accuse Isokrari of diverting proceeds from the reported multi-million-dollar sale away from company accounts, allegedly defrauding 960 Music Group in the process.

The case was first mentioned in December 2025 and adjourned to February 10, 2026. On both occasions, neither the defendant nor his representatives appeared in court. Yesterday’s adjournment to April 20, 2025, further prolongs a legal battle that could have significant implications for music rights ownership and investment structures in Nigeria’s entertainment industry.

Carving Lanes Through Sound, Culture, and Identity

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Reedivah Da Queen’s story unfolds in layers. She is a Malawian-Zimbabwean musician, actor, graphic designer, radio show producer, and fashion designer, and every part of her life feeds into the art she creates.

Her music is layered and expressive, shaped by years of exploring different sounds and cultures. From Dance and Tribal House to Jazz and Classical music, Reedivah’s sound reflects a deep curiosity and a strong connection to African rhythm and storytelling. It is music that feels rooted, yet open to the world.

Reedivah officially began her music journey in Swaziland in 2014, a period she often credits as a turning point. While there, she worked closely with some of the country’s finest artists, including Shinely Greenz and Mvilas. Those early collaborations helped sharpen her confidence and gave her room to experiment with sound, performance, and identity.

Her work has since traveled far beyond Southern Africa. Over the years, she has collaborated with American songwriter Ruth Garness, worked on projects with Niel from Mexico, and shared creative space with Durban-based artist Thabile Mtshali, Zululand poet Inyosika Majola, and the legendary South African singer Nonhlanhla Dlomo. Each collaboration reflects her openness to learning and her ability to blend cultures without losing her voice.

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The name “Da Queen” is deeply personal to Reedivah. It is not a performance title or a marketing tool. It speaks to her understanding of self, her pride as an African woman, and her belief in dignity, respect, and purpose. Through this identity, she positions herself firmly in her rightful place while celebrating heritage and strength.

On stage, Reedivah Da Queen is commanding and expressive. She does not follow trends. Instead, she creates her own path, allowing her performances to feel honest and emotionally rich. Audiences are often drawn not just to her voice, but to the sincerity behind it. Her music carries lived experiences and African tradition, applied thoughtfully through modern expression.

With her music and visuals currently gaining attention across platforms such as YouTube and Spotify, Reedivah continues to build a body of work that feels intentional and true to who she is. Every release adds another chapter to her story as an artist who values substance over spectacle.

In an industry that often rewards conformity, Reedivah Da Queen stands out by remaining grounded, creative, and unapologetically African. She is not simply making music. She is preserving culture, sharing perspective, and showing what it means to create from a place of truth.

Britney Spears Shocks Fans with Full Music Catalog Sale

Britney Spears Shocks Fans with Full Music Catalog Sale

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Pop icon Britney Spears has reportedly sold the rights to her entire music catalogue in a deal said to be worth around $200 million (£146 million).

The 44-year-old singer is understood to have reached an agreement with independent music publisher Primary Wave on 30 December. Neither Primary Wave nor Spears’ representatives responded to requests for comment.

Spears is behind a string of global hits including …Baby One More Time, Oops!… I Did It Again, Toxic and Gimme More. In January 2024, she said she would “never return to the music industry.” Her most recent release was a 2022 duet with Elton John.

Primary Wave has previously acquired rights connected to major artists and estates including The Notorious B.I.G., Prince and Whitney Houston. However, full details of Spears’ deal — including the exact terms and final price — have not been publicly disclosed.

Spears joins a growing list of high-profile artists who have sold their catalogues in recent years. Bruce Springsteen sold his back catalogue to Sony in 2021 for a reported $500 million, while Justin Bieber is said to have struck a $200 million deal with Hipgnosis Songs Capital in 2023. Other artists, including Justin Timberlake and Shakira, have also made similar moves.

Founded two decades ago by music executive Lawrence Mestel, Primary Wave began after he acquired 50% of Kurt Cobain’s share of the Nirvana catalogue.

One of the best-selling female artists of all time, Spears has sold more than 150 million records worldwide and released nine studio albums since her 1999 debut.

The reported sale follows a turbulent period in her personal life. In 2021, Spears ended a 13-year conservatorship that gave her father control over her finances and key aspects of her life. She later detailed her experiences in her 2023 memoir, The Woman in Me. Her former husband, Kevin Federline, released his own memoir, You Thought You Knew, in late 2025.

Tems Makes History as First African Female Artist with 7 Billboard Hot 100 Entries

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Grammy-winning Nigerian singer Temilade Openiyi, popularly known as Tems, has made history as the first African female artist to record seven entries on the U.S. Billboard Hot 100 chart.

She reached the milestone after her song “What You Need” debuted at No. 93 on this week’s Billboard Hot 100, bringing her total number of entries on the chart to seven.

With this achievement, Tems now ties with fellow Nigerian star Burna Boy and South African rock band Seether as the African artists with the most Billboard Hot 100 entries, at seven each.

In 2022, Tems also became the first African artist to debut at No. 1 on the Billboard Hot 100, thanks to her collaboration with Future and Drake on “Wait For U.”

She may soon take the lead, as J. Cole’s “Bunce Road Blues,” featuring Tems and Future, is projected to debut on the Billboard Hot 100 next week.

How Allegations of Wife Beating Almost Destroyed My Marriage – Teddy A Opens Up

How Allegations of Wife Beating Almost Destroyed My Marriage – Teddy A Opens Up

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Former Big Brother Naija housemate Tope Adenibuyan, popularly known as Teddy A, has spoken candidly about the deep emotional and reputational toll caused by false allegations that he physically abused his wife, Bamike “Bambam” Olawunmi-Adenibuyan.

In a recent interview, Teddy A described the claims — which accused him of beating his pregnant wife — as completely fabricated, shocking, and devastating for his family.

He recounted the day the rumours exploded online:

“I woke up, went downstairs, and my wife was there watching a movie. She was pregnant and laughing. There was no sign of any trouble in our home.”

Teddy A said he only realized something was wrong when his phone began receiving an unusual flood of notifications.

“I hadn’t posted anything. I was wondering what was trending and why my phone was blowing up,” he recalled.

As he scrolled through comments and messages, he watched his wife become emotional and confused.

“She kept asking who could do this to us. Honestly, I didn’t know where it came from,” he said.

The allegations quickly gained traction on social media, sparking widespread speculation and debate. Teddy A revealed that he consulted his manager, who advised him to stay silent and let the storm pass.

Looking back, he now believes that decision was a mistake.

“At the time, I didn’t understand the damage staying silent would do. Even now, years later, when my wife and I post photos or videos, people still comment and ask if I beat her.”

He admitted the experience left lasting scars.

“It affected me because people began to see me in a way that wasn’t true,” he said.

Teddy A’s honest reflection has once again brought attention to the serious long-term consequences of unverified allegations, the speed at which false narratives can spread online, and the importance of addressing damaging rumours quickly and directly.

To date, neither Teddy A nor Bambam has ever confirmed any incident of domestic violence. The couple, who share a daughter and have remained publicly united, continue to focus on their family and careers despite the lingering shadow of the old claims.