Carving Lanes Through Sound, Culture, and Identity

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Reedivah Da Queen’s story unfolds in layers. She is a Malawian-Zimbabwean musician, actor, graphic designer, radio show producer, and fashion designer, and every part of her life feeds into the art she creates.

Her music is layered and expressive, shaped by years of exploring different sounds and cultures. From Dance and Tribal House to Jazz and Classical music, Reedivah’s sound reflects a deep curiosity and a strong connection to African rhythm and storytelling. It is music that feels rooted, yet open to the world.

Reedivah officially began her music journey in Swaziland in 2014, a period she often credits as a turning point. While there, she worked closely with some of the country’s finest artists, including Shinely Greenz and Mvilas. Those early collaborations helped sharpen her confidence and gave her room to experiment with sound, performance, and identity.

Her work has since traveled far beyond Southern Africa. Over the years, she has collaborated with American songwriter Ruth Garness, worked on projects with Niel from Mexico, and shared creative space with Durban-based artist Thabile Mtshali, Zululand poet Inyosika Majola, and the legendary South African singer Nonhlanhla Dlomo. Each collaboration reflects her openness to learning and her ability to blend cultures without losing her voice.

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The name “Da Queen” is deeply personal to Reedivah. It is not a performance title or a marketing tool. It speaks to her understanding of self, her pride as an African woman, and her belief in dignity, respect, and purpose. Through this identity, she positions herself firmly in her rightful place while celebrating heritage and strength.

On stage, Reedivah Da Queen is commanding and expressive. She does not follow trends. Instead, she creates her own path, allowing her performances to feel honest and emotionally rich. Audiences are often drawn not just to her voice, but to the sincerity behind it. Her music carries lived experiences and African tradition, applied thoughtfully through modern expression.

With her music and visuals currently gaining attention across platforms such as YouTube and Spotify, Reedivah continues to build a body of work that feels intentional and true to who she is. Every release adds another chapter to her story as an artist who values substance over spectacle.

In an industry that often rewards conformity, Reedivah Da Queen stands out by remaining grounded, creative, and unapologetically African. She is not simply making music. She is preserving culture, sharing perspective, and showing what it means to create from a place of truth.

Inside the BTS of “Already Blessed”: DJC and Psalmurai Craft Visuals Rooted in Faith and Purpose

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The story of ‘Already Blessed’ begins long before the final visuals reached the social media space. It started behind the scenes in Ketu CMD, where intention, creativity, and teamwork came together to shape the music video.

Behind-the-scenes footage from the shoot reveals a focused and intentional environment where creativity, faith, and teamwork shaped the final visuals. The video was directed by Psalmurai, who took responsibility for camera angles and lighting, carefully constructing each frame to reflect the message and emotional tone of the song.

Working alongside him was DJC, the producer of the track, who remained fully engaged with the sound throughout the shoot. From monitoring playback to ensuring musical alignment during filming, DJC’s presence kept the production grounded in the sonic identity of the record. The collaboration highlighted a clear creative structure, with both artists operating within their strengths.

According to DJC, the video was filmed across multiple locations. “We shot in the studio and on the rooftop,” he said. He also noted that an additional outdoor scene did not make it into the final edit, offering insight into the realities of music video production and the decisions that shape the finished work.

The video supports “Already Blessed,” a song by DJC featuring Psalmurai, taken from the album KING (Like Father Like Son). The record centers on mindset, emphasizing the understanding of being blessed already rather than waiting for future validation. Its message is rooted in faith, self-awareness, and confidence drawn from spiritual identity.

Footage from the set shows a production process driven by patience and attention to detail. Lighting setups, repeated takes, and sound checks underscore a commitment to excellence rather than speed. The process mirrors the song’s core message, calm assurance, clarity, and belief.

Beyond the technical elements, the shoot reflected a shared vision. Faith and creativity intersected as both artists worked to translate the song’s message into visuals that feel honest and intentional.

The official music video for “Already Blessed” is now available on YouTube, offering viewers a complete look at a project shaped by purpose from concept to execution. As a soft launch moment, the behind-the-scenes perspective invites audiences to engage not only with the final visuals but also with the creative journey behind them.

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Seun Adeyemo Releases “Wonderful Savior” Visual, Hints at New Song “Yahweh”

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Seun Adeyemo, a Lagos-based gospel minister, is gaining steady recognition for his spiritually rich sound and soulful approach to worship music. Known for delivering powerful melodies rooted in faith, his work blends contemporary gospel with deep, spirit-led worship that creates moments of inspiration and reflection.

With a clear focus on spiritual upliftment and prophetic expression, Adeyemo uses music as a vehicle to communicate messages of faith, hope, and devotion. His songwriting is shaped by personal encounters with God and influenced by established gospel voices, allowing him to create worship experiences that resonate with believers across different cultures and regions.

Musically, Seun Adeyemo draws from a mix of contemporary worship, soul, and traditional gospel. This fusion gives his sound a refreshing identity while remaining grounded in heartfelt praise and reverence.

The gospel minister recently released the official visual for his debut single, “Wonderful Savior.” The song is a sincere expression of gratitude and adoration, pointing listeners toward the boundless love and grace of God. With uplifting lyrics and a strong melodic structure, the track encourages worship and invites listeners into a deeper spiritual connection.

As his passion for worship continues to grow, Adeyemo remains committed to spreading the gospel through music that uplifts lives and strengthens faith. When asked about what comes next following the release of the video, he responded calmly with a smile, hinting that his upcoming project will be titled “Yahweh.”

With each release, the worship leader continues to build anticipation and keep audiences engaged. “Wonderful Savior” is now available on YouTube and across all major streaming platforms, offering listeners an opportunity to worship and encounter the One who saves, heals, and restores.

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Teemillar: Radio Expertise With a Bold Afrobeat Vision

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Teemillar Oriyomi, popularly known as Teemillar Da Pop Star, is steadily expanding his footprint across Nigeria’s entertainment landscape, combining a long-standing media career with a growing presence in Afrobeat music. With over 16 years of industry experience, Teemillar has built a reputation as a versatile creative; working as a radio host, presenter, producer, sound engineer, and voice-over talent.

A native of Ikorodu, Lagos State, Teemillar’s broadcast journey has taken him through some of Nigeria’s most prominent radio platforms. His career includes stints at Hot FM, Soundcity, Brila FM, and Dream FM Enugu, where he honed his skills in on-air presentation, music programming, and audience engagement.

He currently brings that experience to the nation’s capital as an on-air personality at Peoples 105.5FM Abuja. On the station, Teemillar hosts a lineup of culture-driven programs including Reggae Vibration, Cinema Buzz, and the People’s Top 10 Countdown, shows that reflect his deep connection to music, film, and contemporary pop culture.

Beyond radio, Teemillar is channeling his creative energy into music as an independent Afrobeat artist. Positioning himself within the Afro-urban soundscape, he is crafting records that draw from street sensibilities while appealing to global listeners. His approach reflects a blend of Nigerian rhythm, urban storytelling, and international sonic influences.

His forthcoming single, “Mo Popular,” is expected to mark a new phase in his artistic evolution. The track highlights his vibrant delivery and lyrical confidence, reinforcing his intent to emerge as one of Afrobeat’s distinctive voices in a highly competitive scene.

With music already available across major streaming platforms including Apple Music, Spotify, and Audiomack, Teemillar continues to bridge media and music – leveraging years behind the microphone to fuel a forward-looking Afrobeat career that speaks to both local and global audiences.

Faith, Worship, and Sound: Inside Kelechukwu Ume’s Growing Gospel Legacy

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Since unveiling Hallelujah Song in 2020, Nigerian gospel artist Kelechukwu Ume has consistently remained committed to creating music that inspires, uplifts, and draws listeners closer to God. His latest release, Back to Jesus, reinforces that calling, serving as a reminder to believers of the transforming power found in returning to God’s presence.

Ume was raised in a devout Christian household in Abia State, where his faith was nurtured from an early age. That spiritual foundation has played a central role in shaping his journey in gospel music. Over the years, his growing catalogue, which includes Mercy and Grace (2023), Song of Victory, and I Wanna Know (2025), reflects a strong dedication to worship, faith, and spiritual growth.

Back to Jesus represents a significant moment in his musical journey, reaffirming his relevance and influence within the gospel music space. Kelechukwu Ume is a Nigerian gospel musician, songwriter, worship leader, and preacher who is deeply passionate about spreading the message of Christ through both music and ministry. He hails from Isuochi in Abia State and was introduced to the Christian faith at a young age by his mother. He is married and continues to share his ministry through live worship, digital platforms, and social media.

Throughout his career, Ume has established himself in contemporary gospel music by focusing on themes such as worship, mercy, faith, and spiritual victory. His style is characterized by sincere lyrics and uplifting melodies, often rooted in biblical teachings, with the aim of encouraging and strengthening listeners. He describes his music as a means of offering something meaningful to the world through gospel sounds and the Word of God.

His discography reflects this vision. Hallelujah Song (2020–2021) emerged as one of his earliest widely recognized singles, celebrating total surrender to God and His enduring faithfulness. In 2023, he released Mercy and Grace, a deeply moving song centered on God’s compassion, which gained attention for its powerful sound and spiritual impact.

In 2025, Back to Jesus received airplay on stations such as Eko FM, City FM, Traffic Radio and Inspiration FM, calling believers back to the foundations of their faith. Additional songs such as Song of Victory and Early Riser emphasize perseverance, prayer, and beginning each day with purpose, while I Wanna Know, inspired by Philippians 3:10, focuses on knowing Christ and experiencing the power of His resurrection.

Kelechukwu Ume’s music has enjoyed steady airplay on Nigerian radio stations including Rainbow FM, Inspiration FM 92.3, City FM, and Eko FM, while also reaching international audiences through platforms such as Spotify, Apple Music, Audiomack, and other streaming services. He is active on X (formerly Twitter) under the handle @keleume, where he shares song releases, Bible verses, motivational reflections, and performance clips. As his audience continues to grow, Ume remains devoted to his mission of using gospel music and preaching to uplift lives, inspire faith, and draw people back to Christ.

Rema Bags Three Awards: Burna Boy, Juma Jux Among Top Winners at 9th AFRIMA

Rema Bags Three Awards: Burna Boy, Juma Jux Among Top Winners at 9th AFRIMA

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Nigerian artists once again proved their dominance on the continental stage at the 9th All Africa Music Awards (AFRIMA), which held its glamorous grand finale on Sunday night, January 11, 2026, at Eko Hotels and Suites in Lagos.

Rema stole the spotlight as the biggest winner of the evening, securing three major accolades: Artiste of the Year, Best Male Artiste in Western Africa, and Best African Artiste in RnB and Soul. The young star’s hat-trick highlighted his unstoppable rise and crossover appeal across Africa and beyond.

Burna Boy delivered a strong showing too, claiming Album of the Year for his 2025 release No Sign of Weakness. He also shared Best African Collaboration with Shallipopi for their hit track “Laho,” which independently earned Shallipopi the prestigious Song of the Year award.

Other standout Nigerian winners included Yemi Alade, who took home Best Soundtrack in a Movie, Series or Documentary for her song “You Are” from the animated series Iyanu. In the hip-hop realm, Phyno was recognized as Best African Artiste in African Hip-Hop.

From East Africa, Tanzania’s Juma Jux shone brightly by winning Best Male Artiste in Eastern Africa, adding to the night’s celebration of regional talent.

Among the rising stars, Qing Madi was crowned Most Promising Artiste of the Year, while Chella captured the hearts of fans everywhere to win African Fans’ Favourite.

The event, hosted in partnership with the African Union Commission and broadcast live to over 80 countries, underscored the vibrancy, diversity, and global impact of African music. Nigerian talent led the charge, reinforcing Afrobeats’ position as a powerhouse genre while spotlighting collaborations and emerging voices across the continent.

Below is the full list of winners:

Best Male Artiste – Central Africa

  • C4 Pedro (Angola)
  • Eboloko (Gabon)
  • Gims (DRC)
  • Gerilson Insrael (Angola)
  • Kocee (Cameroon)
  • L’Oiseau Rare (Gabon)
  • Fally Ipupa (DRC)
  • Magasco (Cameroon)
  • Singuila (The Congo) – Winner
  • Werrason (DRC)

Best Female Artiste – Central Africa

  • Anna Joyce (Angola)
  • Blanche Bailly (Cameroon)
  • Charlotte Dipanda (Cameroon)
  • Cindy Le Coeur (DRC) – Winner
  • Deborah Lukalu (DRC)
  • Emma’a (Gabon)
  • Jessy B (The Congo)
  • Krys M (Cameroon)
  • Liriany (Angola)
  • Rebo (DRC)

Best Male Artiste – Eastern Africa

  • Bien (Kenya)
  • Diamond Platnumz (Tanzania)
  • Element Eleéh (Rwanda)
  • Joshua Baraka (Uganda)
  • Jux (Tanzania) – Winner
  • Marioo (Tanzania)
  • Mbosso (Tanzania)
  • Bruce Melodie (Rwanda)
  • Sat-B (Burundi)
  • Yared Negu (Ethiopia)

Best Female Artiste – Eastern Africa

  • Abigail Chams (Tanzania)
  • Bridget Blue (Kenya)
  • Denise (Madagascar) – Winner
  • Haleluya Tekletsadik (Ethiopia)
  • Lady Jaydee (Tanzania)
  • Mahlet Wendimu (Ethiopia)
  • Salemia (Ethiopia)
  • Weeha (Ethiopia)
  • Winnie Nwagi (Uganda)
  • Zuchu (Tanzania)

Best Male Artiste – Northern Africa

  • A.L.A. (Tunisia)
  • Adviser (Mauritania) – Winner
  • Amr Diab (Egypt)
  • Cheb Momo (Algeria)
  • El Grande Toto (Morocco)
  • Hamza Namira (Egypt)
  • Lbenj (Morocco)
  • Mohamed Ramadan (Egypt)
  • Stormy (Morocco)
  • Wegz (Egypt)

Best Female Artiste – Northern Africa

  • Chirine Lajmi (Tunisia)
  • Inez (Morocco)
  • Jannat (Egypt)
  • Jaylann (Morocco)
  • Manal (Morocco)
  • Meryem Aboulouafa (Morocco)
  • Sherine (Egypt) – Winner
  • Zina Daoudia (Morocco)

Best Male Artiste – Southern Africa

  • Anderson Mário (Mozambique)
  • Jah Prayzah (Zimbabwe)
  • Manana (Eswatini)
  • Nasty C (South Africa)
  • Teddy Makadi (Malawi)
  • Tyler ICU (South Africa)
  • Wanitwamos (South Africa)
  • Yo Maps (Zambia) – Winner
  • Zeze Kingston (Malawi)
  • Kazba De Small (South Africa)

Best Female Artiste – Southern Africa

  • Babalwa M (South Africa)
  • Hanna (Zimbabwe)
  • Makhadzi (South Africa)
  • Nkosazana Daughter (South Africa)
  • Nontokozo Mkhize (South Africa) – Winner
  • Sha Sha (Zimbabwe)
  • Temwah (Malawi)
  • Tyla (South Africa)
  • Uncle Waffles (Eswatini)
  • Zee Nxumalo (South Africa)

Best Male Artiste – Western Africa

  • Asake (Nigeria)
  • Axel Merryl (Benin)
  • Black Sherif (Ghana)
  • Burna Boy (Nigeria)
  • Davido (Nigeria)
  • Didi B (Côte d’Ivoire)
  • Djodje (Cape Verde)
  • Rema (Nigeria) – Winner
  • VJ (Senegal)
  • Wizkid (Nigeria)

Best Female Artiste – Western Africa

  • Amaarae (Ghana)
  • Ayra Starr (Nigeria)
  • Djelykaba Bintou (Guinea)
  • Josey (Côte d’Ivoire)
  • Mariam Ba Lagaré (Mali)
  • Mia Guissé (Senegal)
  • Moliy (Ghana)
  • Tiwa Savage (Nigeria)
  • Viviane Chidid (Senegal)
  • Wendy Shay (Ghana) – Winner

Continental Categories

Best Male Artiste – African Inspirational Music

  • Christian Mukuna (DRC)
  • Djunny Beatz (Mozambique)
  • Gaise Baba (Nigeria)
  • Israel Mbonyi (Rwanda)
  • Jah Prayzah (Zimbabwe)
  • Joel Lwaga (Tanzania)
  • Kocee (Cameroon)
  • Lawrence Oyor (Nigeria)
  • Milo (Côte d’Ivoire) – Winner
  • Sjava (South Africa)

Best Female Artiste – African Inspirational Music

  • Ada Ehi (Nigeria)
  • Choisie Basolua (DRC)
  • Krys M (Cameroon)
  • Martha Mwaipaja (Tanzania)
  • Mercy Chinwo (Nigeria)
  • Morijah (Côte d’Ivoire) – Winner
  • Nontokozo Mkhize (South Africa)
  • Roseline Layo (Côte d’Ivoire)
  • Vestine & Dorcas (Rwanda)

Best African Artiste, Duo or Group – African Jazz

  • Adrian Younge & Ali Shaheed Muhammad (Ghana)
  • Haddinqo (Ethiopia) – Winner
  • Mádé Kuti (Nigeria)
  • Rorisang Sechele (South Africa)
  • Sibusiso Mash Mashiloane (South Africa)
  • The Cavemen (Nigeria)
  • Alune Wade (Senegal)
  • Nomfundo Xaluva (South Africa)
  • Kyle Shepherd Trio (South Africa)

Best Artiste, Duo or Group – African Contemporary

  • Fireboy DML (Nigeria)
  • Axel Merryl (Benin) – Winner
  • Espe Bass (Congo B)
  • Bien (Kenya)
  • Jaylann (Morocco)
  • Kizz Daniel, Angélique Kidjo & Johnny Drille (Nigeria)
  • Mbosso (Tanzania)
  • Ferre Gola & Rayvanny (DRC)
  • Didine Canon 16 (Algeria)
  • Wendy Shay (Ghana)

Best Soundtrack – Movie, Series or Documentary

  • Igho’le Trap Mix Version (To Kill a Monkey: Series) – Oscar Heman-Ackah (Ghana)
  • El Ma2as (The Start: Film) – Tamer Hosny, Reda Elbahrawy (Egypt)
  • You Are (Iyanu: Animated Series) – Yemi Alade (Nigeria) – Winner
  • Timpi Tampa (Timpi Tampa: Film) – Ismaël Lo (Senegal)
  • Tori Ife (Seven Doors: Series) – Tolu Obanro (Nigeria)
  • Saatte Ragouj (The Last of the Mohicans: Film) – Kafon (Tunisia)

Songwriter of the Year

  • Bakhaw Dioum – Choix (Mia Guissé ft. Wally B. Seck) (Senegal) – Winner
  • Emel, Jehanny Beth & Camille Berthomier – Fall in the Light (Tunisia)
  • Emma’a – Trop d’amour (Gabon)
  • Emmanuel Ayobami Alli-Hakeem – Za (Anendlessocean) (Nigeria)
  • Ferre Gola – Amour Illusoire (DRC)
  • Mohammed Ismail Sharrif – Rebel Music (Black Sherif) (Ghana)
  • Mugisha Fred Robinson – Tombé (Element Eleéh) (Rwanda)
  • Olamide Adedeji – Hassibunallah (Olamide) (Nigeria)
  • Prince Omoferi & Nwamu Francis Chukwudubem – It Hurts (Johnny Drille & Don Jazzy) (Nigeria)
  • Victor Ngatuvese Kaune – Oputuri ‘Queens’ (One Blood Namibia) (Namibia)

African Fans’ Favourite

  • Ali Jita (Nigeria)
  • Barnaba (Tanzania)
  • BNXN & Rema (Nigeria)
  • Chella (Nigeria) – Winner
  • Dlala Thukzin (South Africa)
  • Innoss’b (DRC)
  • Kizz Daniel (Nigeria)
  • Parazar (Algeria)
  • Faceless (Nigeria)
  • Tul8te (Egypt)

Best African DJ

  • DJ Malvado (Angola)
  • DJ Maphorisa (South Africa)
  • DJ Moh Green (Algeria) – Winner
  • DJ Mombochi (The Congo)
  • DJ Tunez (Nigeria)
  • DJ YK Mule (Nigeria)
  • Kelvin Momo (South Africa)
  • Oscar Mbo (South Africa)
  • Uncle Waffles (Eswatini)
  • Woodblock Djs (South Africa)

Producer of the Year

  • Beneth Seraphin Akatché Koffi (Senegal)
  • Butternut, Xolani Majoz (South Africa)
  • Dina One (Mali)
  • Element Eleéh & Mugisha Fred Robinson (Rwanda) – Winners
  • Jazzworx (South Africa)
  • Progrex (Nigeria)
  • DaVinci (Angola)
  • Tempoe (Nigeria)
  • Themba Sekowe, Gomolemo Joy Gumede, Kabelo Motha (South Africa)

Album of the Year

  • Ebtadena – Amr Diab (Egypt)
  • No Sign of Weakness – Burna Boy (Nigeria) – Winner
  • 5ive – Davido (Nigeria)
  • Diyilem & Bazarhoff: Genius – Didi B (Côte d’Ivoire)
  • Ngomoya – DJ Maphorisa & XDuppy (South Africa)
  • Salgoat – El Grande Toto (Morocco)
  • Big Aka 4 Aka Kai – Himra (Côte d’Ivoire)
  • Thato Ya Modimo – Kelvin Momo (South Africa)
  • Idrache (Traces of the Past) – Tinariwen (Mali)

Best African Video of the Year

  • “Rebel” – Black Sherif (Ghana)
  • “Meta” – Nomcebo Zikode & Sofiya Nzau (South Africa)
  • “Ki Lo Wa Wa” – Yemi Alade (Nigeria)
  • “Timpi Tampa” – Ismaël Lo (Senegal)
  • “Tori Ife” – Tolu Obanro (Nigeria)
  • “Ova” – Mbosso (Tanzania) – Winner
  • “Ololufe” – Juma Jux & Diamond Platnumz (Tanzania)
  • “Shaolin” – Seyi Vibez (Nigeria)
  • “Stk Stk” – Dizzy Dros, Kekra & Norfafrica (Morocco)

Song of the Year

  • “Isaka (6AM)” – Ciza, Jazzworx & Thukuthela (South Africa)
  • “Bengicela” – Mawhoo Gl Ceejay & Thukuthela (South Africa)
  • “Choix” – Mia Guissé (Senegal)
  • “Diplomatico” – El Grande Toto (Morocco)
  • “Kaay Waay” – VJ (Senegal)
  • “Laho” – Shallipopi (Nigeria) – Winner
  • “Ololufe Mi” – Jux & Diamond Platnumz (Tanzania)
  • “Push 2 Start” – Tyla (South Africa)
  • “Shake it to the Max” – Moliy, Shenseea, Skillibeng & Silent Addy (Ghana)
  • “With You” – Davido (Nigeria)

Best African Dance/Choreography

  • Jaylann – “Ha Wlidi” (Morocco)
  • Lady Ponce – “Je veux danser” (Cameroon)
  • Rebo – “Mobambo” (DRC)
  • Serge Beynaud – “Taper Dedans” (Côte d’Ivoire)
  • Toofan – “Deodorant” (Togo)
  • Tyla – “Push 2 Start” (South Africa)
  • Uncle Waffles & Royal Musiq – “Zenzele” (Eswatini)
  • Weeha – “Dimama” (Ethiopia) – Winner
  • Werrason – “Tout se paie ici bas” (DRC)
  • Wizkid – “Kese” (Nigeria)

Best African Act – Reggae, Ragga & Dancehall

  • Magasco – “Dirty Whine” (Cameroon)
  • Moliy, Shenseea, Skillibeng & Silent Addy – “Shake it to the Max” (Ghana)
  • Ruger & Kranium – “Dudu” (Nigeria)
  • Sean Morgan – “Vuu” (Malawi)
  • Black Sherif – “Rebel Music” (Ghana)
  • Takana Zion – “On My Eyes” (Guinea) – Winner
  • Tiwa Savage – “Forgiveness” (Nigeria)
  • Wakadinli – “Kum Baba” (Kenya)
  • Yemi Alade – “Baddie” (Nigeria)
  • Iyani, Mwanaa & Cedo – “Kifo cha Mende” (Kenya)

Best African Collaboration

  • Blanche Bailly & Lady Ponce – “Lève toi” (Cameroon)
  • Goon Flavour, Master Kg & Eemoh – “Ngishutheni” (South Africa)
  • Mia Guissé ft. Wally Seck – “Choix” (Senegal)
  • Moliy, Silent Addy, Skillibeng & Shenseea – “Shake It to the Max” (Ghana)
  • Paki Chenzu ft. Himra – “Assaut” (Togo/Côte d’Ivoire)
  • Shallipopi ft. Burna Boy – “Laho” (Nigeria) – Winner
  • Uncle Waffles ft. Cowboii, Royal Musiq, Uncool MC & Xduppy – “Zenzele” (Eswatini)
  • Davido ft. Omah Lay – “With You” (Nigeria)
  • Mawhoo, GL Ceejay & Thukuthela ft. Jazzworx – “Bengicela” (South Africa)
  • Benny Adam & Khadija El Warzazia – “Mok Ya Mok” (Morocco)

Most Promising Artiste of the Year

  • Cysoul (Cameroon)
  • Joshua Baraka (Uganda)
  • King Luca (Cameroon)
  • L’Oiseau Rare (Gabon)
  • Lwah Ndlunkulu (South Africa)
  • Massamba Amadeus (Senegal)
  • Qing Madi, Valorant (Nigeria) – Winner
  • Rym (Morocco)
  • Kunmie (Nigeria)
  • Fola (Nigeria)

Artiste of the Year

  • Amr Diab (Egypt)
  • Ayra Starr (Nigeria)
  • Burna Boy (Nigeria)
  • Davido (Nigeria)
  • DJ Maphorisa (South Africa)
  • El Grande Toto (Morocco)
  • Fally Ipupa (DRC)
  • Jux (Tanzania)
  • Rema (Nigeria) – Winner
  • Shallipopi (Nigeria)
  • Tyla (South Africa)

Breakout Artiste of the Year

  • Blaq Major (South Africa)
  • Ciza (South Africa) – Winner
  • Eboloko (Gabon)
  • Himra (Côte d’Ivoire)
  • Marioo (Tanzania)
  • Mawhoo (South Africa)
  • Moliy (Ghana)
  • Shallipopi (Nigeria)
  • Trap King (Algeria)
  • VJ (Senegal)

Best African Lyricist Rapper

  • ALA (Tunisia)
  • Didi B (Côte d’Ivoire) – Winner
  • Jessy B (Congo B)
  • Klassafan le Melangeur (Guinea)
  • Nasty C & Usimamane (South Africa)
  • Nyashinski (Kenya)
  • Reminisce (Nigeria)
  • Sarkodie (Ghana)
  • Switch (Libya)
  • Yacou B OG (Mali)

Best African Artiste, Duo or Group – African Hip-Hop

  • ALA ft. Mootjeyek (Tunisia)
  • Cassper Nyovest (South Africa)
  • Eboloko (Gabon)
  • El Grande Toto (Morocco)
  • Himra (Côte d’Ivoire)
  • Phyno (Nigeria) – Winner
  • Nasty C & Usimamane (South Africa)
  • Odumodublvck (Nigeria)
  • Sarkodie (Ghana)
  • Suspect 95 (Côte d’Ivoire)

Best African Artiste, Duo or Group – RnB & Soul

  • Bensoul & V- Be (Kenya)
  • Big Zulu ft. Malungelo (South Africa)
  • Braye (Nigeria)
  • Calema (Sao Tome)
  • Emma’a (Gabon)
  • Kunmie (Nigeria)
  • Manal (Morocco)
  • Naledi Aphiwe & Mawelele (South Africa)
  • Rema (Nigeria) – Winner
  • Wegz ft. Tayc (Egypt)

Best African Duo, Group or Band

  • Babylone (Algeria)
  • Blaq Diamond (South Africa)
  • Celema (Sao Tome & Principe)
  • Team Paiya (Côte d’Ivoire) – Winner
  • The Cavemen (Nigeria)
  • Tinariwen (Mali)
  • Toofan (Togo)
  • Vestine & Dorcas (Rwanda)
  • Wapendwa Muziki (Kenya)
  • We Are Nubia (Kenya)
Legendary Feat: Wizkid Surpasses 10 Billion Spotify Streams, First African Ever

Legendary Feat: Wizkid Surpasses 10 Billion Spotify Streams, First African Ever

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Wizkid has officially surpassed 10 billion total streams on Spotify across all credits, becoming the first African artist ever to achieve this historic milestone, as confirmed by industry trackers in early January 2026.

This groundbreaking feat is far more than a number—it stands as undeniable proof of his immense global impact and the explosive rise of Afrobeats on the world stage. Born Ayodeji Ibrahim Balogun, Wizkid has evolved from a rising Nigerian talent into the undisputed face of Afrobeats and a true global superstar, thanks to his innovative sound, powerful collaborations, relentless evolution, and an incredibly loyal fanbase.

As of early January 2026, he boasts more than 13 million monthly listeners on Spotify (with peaks reaching up to 13.8 million), his catalog seamlessly blending traditional African rhythms with R&B, dancehall, and pop elements that continue to captivate audiences worldwide.

The journey to this record began in the early 2010s with his debut album Superstar (2011), which introduced timeless tracks like “Holla at Your Boy” and “Don’t Dull.” The real turning point came in 2014 with “Ojuelegba,” a raw, heartfelt anthem of urban hustle and dreams that has amassed over 100 million streams and became the first Afrobeats song to receive a major international remix featuring Drake and Skepta in 2015—sparking worldwide attention for the genre and widely regarded as one of the greatest Afrobeats tracks of all time.

Momentum exploded further with his iconic feature on Drake’s 2016 global smash “One Dance” (alongside Kyla), now one of the biggest songs of the 21st century with over 3 billion streams. Subsequent hits like “Come Closer” (feat. Drake), the viral phenomenon “Essence” (feat. Tems—over 333–334 million streams, platinum-certified, and boosted by a Justin Bieber remix), “Joro” (over 200 million), and “2 Sugar” (feat. Ayra Starr—over 70 million) have kept his catalog growing.

Key albums such as Made in Lagos (his most-streamed project, surpassing 1 billion streams), More Love, Less Ego, and Morayo (the most-streamed album on Spotify Nigeria in 2025) have added massive volume, while high-profile collaborations with artists like Beyoncé, Chris Brown, Skepta, Major Lazer, Metro Boomin, and Ty Dolla $ign have accelerated his reach.

Beyond the streams, Wizkid’s influence is profound: he is widely credited as the architect of modern Afrobeats, inspiring a new generation with his unique fusion of fuji, R&B, and hip-hop. His achievements include the record-breaking 2024 concert at Tottenham Hotspur Stadium, sold-out shows across Europe and the Americas, and an unmatched awards tally—over 15 Headies wins, a Grammy, BET, MOBO, MAMAs, and a total of 197 career awards, making him one of Africa’s most decorated musicians.

Leading far ahead of peers (Burna Boy currently sits at over 9.5 billion), this 10 billion milestone is a monumental victory not just for Wizkid, but for Afrobeats and the entire continent’s growing global dominance.

Jesse Flames Starts 2026 Strong: Drops 'Praise the Lord' Collab with Magnito

Jesse Flames Starts 2026 Strong: Drops ‘Praise the Lord’ Collab with Magnito

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After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames steps into 2026 with renewed clarity and purpose. He continues to craft a body of work grounded in intention rather than fleeting noise. Amid an Afrobeats scene that’s louder and faster than ever, his approach stays measured and deliberate, placing emphasis on meaning, craftsmanship, and lasting impact over short-lived hype. The official music video for the track is set to drop on January 10.

Building on the energy from his breakout hit “FLEX,” “Praise the Lord” marks a thoughtful evolution—from pure celebration to deeper grounding. The song is reflective and soulful, weaving themes of gratitude, personal growth, and broader perspective into a quiet yet powerful confidence that lingers long after the beat fades.

“This song is about recognizing the full picture,” Jesse explains. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”

Teaming up with Magnito—a revered figure in Nigerian hip-hop celebrated for his razor-sharp lyrics and authentic cultural voice—lends the track added layers of depth. Their collaboration amplifies messages of resilience, faith, and introspection, making the record even more resonant.

Dropped in December during the peak of Detty December festivities, “Praise the Lord” quickly became a fitting soundtrack for both end-of-year parties and quiet moments of reflection. Now, with the visuals arriving in January, it gains fresh significance, serving as a meaningful tone-setter for the new year ahead rather than just another seasonal release.

Born in the United States, raised in Festac, Lagos, and currently based in London, Jesse Flames infuses his music with a truly global outlook. He seamlessly blends Afrobeats, hip-hop, and melodic soul into a polished, purposeful sound that draws from real-life experiences and cultural depth, steering clear of passing trends.

His journey so far boasts over 11 million streams, standout performances at venues like O2 Brixton Academy and OVO Arena Wembley, plus features in outlets such as The Guardian and Business Post Nigeria—a testament to his steady, self-driven ascent. Looking forward to 2026 and beyond, he’s gearing up for exciting collaborations with Ice Prince, M.I Abaga, and Smurlee.

“Praise the Lord” ft. Magnito is out now and streaming on all major platforms.

Five tracks, one bold statement- Culture Vibes (DatEdoBoi)

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The release of Culture Vibes (DatEdoBoi) is a defining moment in BOY EJ’s career. Featuring tracks like Light, Dem Talk, Workins, Rora and Ekò, the EP captures a unique mix of rhythm and emotion. Each song reflects his Edo heritage while carrying the universal appeal of Afrobeats. For fans of Burna Boy and Fela-inspired music, this project is a must-listen- a bold statement that BOY EJ is ready for the global conversation.

SINGLES THAT DEFINE BOY EJ’S JOURNEY

BOY EJ’s singles Ire and Broken Words showcase his range as an artiste. While Ire tells a story of hope and perseverance, Broken Words, featuring KullGP, explores the pain of love and healing. Both tracks prove his versatility- whether it’s soulful storytelling or vibrant collaborations, BOY EJ always brings depth and rhythm. These singles laid the foundation for his EP and marked him as one to watch.

VIDEOS ARE PURE ART

BOY EJ’s creativity extends beyond sound to powerful visuals. With directors like DirectorPry and Kumaz behind his videos, fans have been treated to high-quality storytelling through music. Ire, Ekò, and Light are more than videos—they’re cultural statements that connect with emotions and community. His eye for detail and performance energy make every release a complete experience.

Collaboration has always been key to Afrobeats’ growth, and BOY EJ proves his worth on Trumpet by Tbnxn. His verse brings fire, showing his ability to complement and elevate big projects. This feature is evidence that BOY EJ isn’t just building his career solo—he’s contributing to the collective sound shaping today’s Afrobeats scene.

King (Like Father Like Son): DJC’s Bold Statement in Music

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The release of King (Like Father Like Son) marks a defining chapter in DJC’s career. Known for his ability to create music that resonates deeply with audiences, DJC blends lyrical richness with sonic precision in this album.

As both a producer and singer, he captures a wide spectrum of emotions—from ambition to legacy, love to resilience. King (Like Father Like Son) positions DJC as an artiste who is not afraid to tell his truth while crafting sounds that push boundaries.

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With over 21 years of experience in the music industry, DJC Ahmed, popularly known as DJC, has carved a solid reputation as a versatile music producer and creative force. From his early days at Sound City Studio to building his own brand Beat by DJC, he has consistently delivered unique sounds that blend rhythm, melody, and innovation.

DJC combines technical skill with deep artistic intuition, producing beats that cut across genres like Afrobeat, Hip-Hop, and contemporary urban sounds. His ability to craft signature rhythms has earned him recognition among artistes and collaborators who trust him to bring their vision to life.

With over two decades of shaping music, DJC is not just a producer but also an artiste whose creative journey continues to inspire upcoming talents and elevate the Nigerian music scene.