Tag Archive for: entertainment news

“Wizkid Stole My ”Name”—Seun Kuti Makes Shocking Claim

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Nigerian Afrobeat star Seun Kuti has accused Afrobeats superstar Wizkid of stealing his longtime nickname “Big Bird.”

The claim came during a recent Instagram livestream, after a Wizkid fan (FC) urged Seun to drop “Big Bird” since Wizkid is popularly known as “Biggest Bird.”

Seun fired back, insisting he’s the original and telling the fan to advise Wizkid to be more creative instead.

He said:

“Wizkid stole my name. Tell your fave to be original. Why are you telling me to change my name? Sorry, I can’t change it. This name has been here since. Nah me first put am. I am not dragging it with anybody, please.”

Legendary Feat: Wizkid Surpasses 10 Billion Spotify Streams, First African Ever

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Wizkid has officially surpassed 10 billion total streams on Spotify across all credits, becoming the first African artist ever to achieve this historic milestone, as confirmed by industry trackers in early January 2026.

This groundbreaking feat is far more than a number—it stands as undeniable proof of his immense global impact and the explosive rise of Afrobeats on the world stage. Born Ayodeji Ibrahim Balogun, Wizkid has evolved from a rising Nigerian talent into the undisputed face of Afrobeats and a true global superstar, thanks to his innovative sound, powerful collaborations, relentless evolution, and an incredibly loyal fanbase.

As of early January 2026, he boasts more than 13 million monthly listeners on Spotify (with peaks reaching up to 13.8 million), his catalog seamlessly blending traditional African rhythms with R&B, dancehall, and pop elements that continue to captivate audiences worldwide.

The journey to this record began in the early 2010s with his debut album Superstar (2011), which introduced timeless tracks like “Holla at Your Boy” and “Don’t Dull.” The real turning point came in 2014 with “Ojuelegba,” a raw, heartfelt anthem of urban hustle and dreams that has amassed over 100 million streams and became the first Afrobeats song to receive a major international remix featuring Drake and Skepta in 2015—sparking worldwide attention for the genre and widely regarded as one of the greatest Afrobeats tracks of all time.

Momentum exploded further with his iconic feature on Drake’s 2016 global smash “One Dance” (alongside Kyla), now one of the biggest songs of the 21st century with over 3 billion streams. Subsequent hits like “Come Closer” (feat. Drake), the viral phenomenon “Essence” (feat. Tems—over 333–334 million streams, platinum-certified, and boosted by a Justin Bieber remix), “Joro” (over 200 million), and “2 Sugar” (feat. Ayra Starr—over 70 million) have kept his catalog growing.

Key albums such as Made in Lagos (his most-streamed project, surpassing 1 billion streams), More Love, Less Ego, and Morayo (the most-streamed album on Spotify Nigeria in 2025) have added massive volume, while high-profile collaborations with artists like Beyoncé, Chris Brown, Skepta, Major Lazer, Metro Boomin, and Ty Dolla $ign have accelerated his reach.

Beyond the streams, Wizkid’s influence is profound: he is widely credited as the architect of modern Afrobeats, inspiring a new generation with his unique fusion of fuji, R&B, and hip-hop. His achievements include the record-breaking 2024 concert at Tottenham Hotspur Stadium, sold-out shows across Europe and the Americas, and an unmatched awards tally—over 15 Headies wins, a Grammy, BET, MOBO, MAMAs, and a total of 197 career awards, making him one of Africa’s most decorated musicians.

Leading far ahead of peers (Burna Boy currently sits at over 9.5 billion), this 10 billion milestone is a monumental victory not just for Wizkid, but for Afrobeats and the entire continent’s growing global dominance.

“I Didn’t Know I Was Being Recorded” – Tiwa Savage Rejects Apology Demand After Tape Leak

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Nigerian music star Tiwa Savage has revealed that she was urged by a Nigerian politician to issue a public apology following the circulation of her leaked private video — a demand she firmly but calmly rejected.

Speaking during a conversation with American radio host Angela Yee, alongside three other women, the award-winning singer reflected on the period following the viral spread of the footage and how she processed the situation.

Tiwa Savage said the call from the politician left her feeling both stunned and confused. According to her, the individual insisted that she owed Nigerians – particularly young girls – an apology over the incident.

She explained that she immediately questioned the basis of the demand, pointing out that she had not released the video herself. In response, the politician reportedly argued that allowing an intimate moment to be recorded was itself inappropriate.

Tiwa countered by clarifying that the man involved was her boyfriend at the time and stressed that she had no knowledge that the recording was being made. She said she was completely unaware of the camera.

Reflecting further, the singer noted that the experience opened her eyes to a broader issue. She questioned how many people may have been violated in similar ways without their stories ever becoming public.

Her comments shed light on the personal impact of the incident and the wider conversation around consent, privacy, and accountability in cases involving leaked intimate content.

Skales Breaks Silence on Controversy Surrounding His Church Testimony

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Afrobeats star Skales has addressed the backlash surrounding his recent testimony at Harvesters Church, admitting his first response might have been hasty while offering a more measured clarification.

During the church service, Skales shared how his career received a major boost when Barcelona wonderkid Lamine Yamal helped revive his 2015 hit “Shake Body,” bringing it back into the spotlight. He thanked God for using Yamal to reignite his musical journey.

Taking to X to respond to critics, Skales posted: “I may have responded too quickly to the concerns raised about my crossover testimony at Harvesters Church. After sitting with it, I felt it was important to respond again. This time with more clarity and less emotion, for the sake of the Body of Christ.”

He stressed that every believer has a unique purpose, whether inside the pulpit or out in the world, and that callings beyond traditional ministry are just as valid and significant.

Defending his decision to share the testimony, Skales argued that professionals in various fields—musicians, filmmakers, athletes, teachers, and more—serve God through their talents and platforms. Referencing 1 Corinthians 12:28, he maintained that openly acknowledging God’s hand in one’s life and career is always appropriate.

Reaffirming his faith, the singer declared he remains unapologetic about publicly testifying to what God has done for him.

“As children of the Lord, we all have our part to play,” he wrote. “I truly believe that those who believe in the Word but are not in the pulpit do not have a lesser calling, just a different assignment. Just because something doesn’t happen from the pulpit doesn’t make it any less significant. Musicians, filmmakers, athletes, teachers, etc. We exist to make life lighter for others. We all function here, serving God through what we’ve been called to do.

“That said, I will never believe that testifying about what my God has done for me is wrong! I’m a child of God, and I have no problem sharing that with the world. 1 Corinthians 12:28.”

Jesse Flames Starts 2026 Strong: Drops ‘Praise the Lord’ Collab with Magnito

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After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames steps into 2026 with renewed clarity and purpose. He continues to craft a body of work grounded in intention rather than fleeting noise. Amid an Afrobeats scene that’s louder and faster than ever, his approach stays measured and deliberate, placing emphasis on meaning, craftsmanship, and lasting impact over short-lived hype. The official music video for the track is set to drop on January 10.

Building on the energy from his breakout hit “FLEX,” “Praise the Lord” marks a thoughtful evolution—from pure celebration to deeper grounding. The song is reflective and soulful, weaving themes of gratitude, personal growth, and broader perspective into a quiet yet powerful confidence that lingers long after the beat fades.

“This song is about recognizing the full picture,” Jesse explains. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”

Teaming up with Magnito—a revered figure in Nigerian hip-hop celebrated for his razor-sharp lyrics and authentic cultural voice—lends the track added layers of depth. Their collaboration amplifies messages of resilience, faith, and introspection, making the record even more resonant.

Dropped in December during the peak of Detty December festivities, “Praise the Lord” quickly became a fitting soundtrack for both end-of-year parties and quiet moments of reflection. Now, with the visuals arriving in January, it gains fresh significance, serving as a meaningful tone-setter for the new year ahead rather than just another seasonal release.

Born in the United States, raised in Festac, Lagos, and currently based in London, Jesse Flames infuses his music with a truly global outlook. He seamlessly blends Afrobeats, hip-hop, and melodic soul into a polished, purposeful sound that draws from real-life experiences and cultural depth, steering clear of passing trends.

His journey so far boasts over 11 million streams, standout performances at venues like O2 Brixton Academy and OVO Arena Wembley, plus features in outlets such as The Guardian and Business Post Nigeria—a testament to his steady, self-driven ascent. Looking forward to 2026 and beyond, he’s gearing up for exciting collaborations with Ice Prince, M.I Abaga, and Smurlee.

“Praise the Lord” ft. Magnito is out now and streaming on all major platforms.

Nollywood Star Allwell Ademola Passes Away Aged 43

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Nollywood has been plunged into mourning following the reported passing of celebrated actress and producer Allwell Ademola, who died at 43 years old.

Industry insiders confirmed that Ademola collapsed on Saturday after experiencing a cardiac arrest at home. She was immediately transported to a medical facility, where she was later pronounced dead.

The tragic news has triggered widespread sorrow online, with numerous film professionals expressing shock and disbelief on social media platforms.

Veteran actress Faithia Williams shared her grief on Instagram, posting: “Haaaa. This hit me so bad. Eniobanke. Allahu Akbar..Allwell.”

Fellow performer Mide Martins uploaded a tribute photograph on Facebook, accompanied by the words: “BLACK SATURDAY……This is not fair😭 May God forgive your shortcomings Allwell😭😭😭.”

Actor Damola Olatunji posted an image of a lit candle with a brief message stating: “Life is a mirage.”

Meanwhile, actress Bidemi Kosoko struggled to accept the reports, writing: “No way. No, no,, no. Ko possible ooo. This isn’t true. God forbid, in Jesus’ name.”

She continued with an emotional plea: “I refuse to accept this one Lai Lai God forbid. Olorun oni je. Just reply to my message, abeg Oremi/ aunty mi. I will wait patiently for your reply.”

Ademola was recognized as a versatile creative talent within Nigeria’s entertainment sector, having worked as an actress, filmmaker, director, singer, and writer. Her contributions to Yoruba cinema earned her widespread recognition and respect throughout her career.

She entered the world on August 9, 1983, in Lagos State and came from distinguished heritage in Abeokuta, Ogun State. Her grandfather was Justice Adetokunbo Ademola, who served as Nigeria’s inaugural Chief Justice.

Her entertainment career launched in 1986 when she appeared as a young performer on NTA’s Animal Games with Uncle Wole. She formally entered the Nollywood scene in 1992 and gained significant acclaim starting in 2008 through memorable performances in productions including You or I (2013), Omo Emi (2017), and Aye Keji.

Ademola’s artistic pursuits extended beyond the screen. She founded her musical ensemble, Allwell and Company, in 2002, produced a studio album in 2006, and formally launched the band in 2010.

King (Like Father Like Son): DJC’s Bold Statement in Music

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The release of King (Like Father Like Son) marks a defining chapter in DJC’s career. Known for his ability to create music that resonates deeply with audiences, DJC blends lyrical richness with sonic precision in this album.

As both a producer and singer, he captures a wide spectrum of emotions—from ambition to legacy, love to resilience. King (Like Father Like Son) positions DJC as an artiste who is not afraid to tell his truth while crafting sounds that push boundaries.

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With over 21 years of experience in the music industry, DJC Ahmed, popularly known as DJC, has carved a solid reputation as a versatile music producer and creative force. From his early days at Sound City Studio to building his own brand Beat by DJC, he has consistently delivered unique sounds that blend rhythm, melody, and innovation.

DJC combines technical skill with deep artistic intuition, producing beats that cut across genres like Afrobeat, Hip-Hop, and contemporary urban sounds. His ability to craft signature rhythms has earned him recognition among artistes and collaborators who trust him to bring their vision to life.

With over two decades of shaping music, DJC is not just a producer but also an artiste whose creative journey continues to inspire upcoming talents and elevate the Nigerian music scene.